In 1994, Nelson Mandela was sworn in as South Africa’s first black president. With three unforgettable words, “Free at Last”, the oppressive Apartheid regime that held the country in its grip for 46 years, finally came to an end. 　　With Mandela taking office, there was hope. Hope for an end to the racial division, for the healing of deep wounds, for justice and equality. A Truth and Reconciliation Commission was set up under the leadership of Desmond Tutu, with the goal of unifying the nation. Amnesty for the perpetrators who were prepared to give testimony, recognition for the victims. The world was told that all the horrors of Apartheid would be forever consigned to the history books. South Africa was to become a rainbow nation; a country in harmony with itself. 　　But today, 30 years on, hope has given way to disappointment and frustration. The wounds of Apartheid are proving difficult to heal and remain visible in South Africa’s current political and socio-economic landscape. 　　The Truth Commission achieved temporary reconciliation, but it hasn’t been able to shed light on all of Apartheid’s dark secrets. Families of the many victims have been fighting for decades to not only get the truth out, but also bring those responsible to justice. So far, without much success. Around 25.000 people were killed in political violence between 1960 and 1994, but no politicians have been punished and only two state-employed killers have been jailed. 　　Free at Last is the epic re-telling of the story of Apartheid in South Africa, the TRC and its’ aftermath. What really happened, who was responsible and why haven’t they been held accountable? 　　Spanning years of research and featuring unprecedented access to archive and key figures the series unearths the truth about the Apartheid regime, examining its brutal legacy and ongoing impact on South Africa today. 　　Through the dramatic stories of both victims and perpetrators, it doesn’t shy away from confronting the complexities of justice, accountability and forgiveness and sheds light on what has remained hidden for so long. This series is a genuine attempt to unpack the collective trauma of a nation that has overcome extraordinary challenges but in order to move on, must now truly confront its troubled past.

The story of Che Guevara, featuring episodes from his childhood, his career as a medical student and work with lepers, and finally his life as a militant and guerrilla fighter.

A timid high school girl reveals her truth during the most important night of the year.

In rural 17th-century England, a group of men gather to carry a coffin on the long walk to the local graveyard for burial. Much ancient folklore and superstition surround the pathway to the church, and several of the party are afraid to walk it after dark. Squire Marlow, the grieving father of the dead man, promises to double their wages if they agree to make the mysterious journey full of unexpected revelations.

Billy, a streetwise kid from New York City, is sent to Nebraska and is taken in by a Swedish farm family, the Andersons. Initially fearful and resentful, Billy doesn’t fit in, and he clashes with his new family and adoptive father (Frank Converse). Not until a terrible crisis occurs does Billy realize that, for the first time in his life, he truly belongs and is Home At Last.

Ben Rivers is an artist and experimental filmmaker based in London. His work has been shown in many film festivals and galleries around the world and has won numerous awards. His work ranges from themes about exploring unknown wilderness territories to candid and intimate portrayals of real-life subjects.

Ben Rivers is an artist and experimental filmmaker based in London. His work has been shown in many film festivals and galleries around the world and has won numerous awards. His work ranges from themes about exploring unknown wilderness territories to candid and intimate portrayals of real-life subjects.

A maverick American cop and his Chinese counterpart join forces to bring a drug dealer and his hired thugs to justice.

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On 7 May, churches, school halls, and back rooms of community centres will be turned into polling stations, staffed by council workers and volunteers. A church polling station is the backdrop for a real-time play for theatre and TV, called The Vote, staged at the exact moment in which the action is set - the last 90 minutes before polls close.